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Timmons Chapel pen and ink

Timmons Chapel

dedicated October 2, 1966

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Richard N. Wakefield, Architect

Kansas City, Missouri

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Country English Gothic Architecture

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The Chapel of all Faiths is a gift of Mrs. L. K. Timmons of Pittsburg. The children of Mrs. Timmons presented the organ and bells. The Chapel is visualized as a sanctuary, a quiet place for meditation or prayer, for weddings, small religious services, memorials or baptisms. It is hoped that the Chapel will be used happily and helpfully by all religious sects, that it will become well-worn through regular usage, and that in time, it will grow to become a significant part of College life.

Built on concrete piers set well below lake level, the Chapel walls of native limestone are built in the Ashler pattern of masonry. The walls are eighteen inches thick. White Bedford stone is used for the water table, trim and inside quoining.

The Vermont slate which forms the roof weighs more than 80,000 pounds. They range up to one and one-half inches in thickness and weigh two to sixty pounds each. Overlapping to a thickness of as much as three inches in places, the slates are of seven different colors interspersed with "freaks" or multi-colored stones. They are secured with 2-inch copper nails. Wire snow guards are to be used to prevent ice build-up on the roof.

The bronze bells in the tower were cast for the chapel in Asten, Holland. The are tuned to 440 pitch and are: G#, 154 pounds; A#, 110 pounds; and C#, 79 pounds. The relief design on the bells depicts the wedding of Canaan.

The spire and cap of lead-coated copper are set on Bedford stone. Exposed metals throughout the building are copper or bronze.

Hand-carved solid oak doors provide entrance to the Chapel. Inside, a matching oak screen, topped by the traditional pineapple signifying welcome and hospitality, seperates the narthex from the nave.

Crab Orchard quartzite, quarried in Tennessee has been used for the floor. The stone is known for its many and varied shades and markings.

The windows of the Timmons Chapel were designed by Ronald N. Dixon, a young Irish artist who is a graduate of Belfast College of Art and is one of the recipients of the highest scholastic award in Great Britain in design of stained glass windows. The Chapel windows are made of faceted French glass held together by a poured epoxy resin. The chemically-instituted coloration in the substance of the molten glass makes painting unnecessary. The lancet window depicts the Creation. The Hand of God protrudes through the clouds to pour life-giving light rays downward upon the World. The Rose window in the narthex has a sparking, jewel-like quality, an effect which is achieved by the use of small pieces of glass which are chipped in the surface. The window represents beauty through music and song with the harp's strings. The side windows are of stained, leaded glass.

Chapel music is provided by a five-rank, Wicks pipe organ. The 341 pipes are concealed in the organ loft.

The Chapel's chandeliers were hand-made in California. They weigh 125 pounds each.

The red cedar deck supported by solid beams of Douglas fir are products of Oregon.

Nine wedding rings, fashioned into the altar rail, are symbolic of one of the Chapel's more important functions.

The altar cross in the chancel area is a St. John's Celtic Cross of antique brass mounted on an Iona Marble base. It is an authentic reproduction of the ancient stone crosses still standing on the Island of Iona, off the coast of Scottland. Created by Celtic craftsmen, this faithful replica was imported from the land where Christianity was flourishing more than one thousand years ago. The cross is portable and may be removed as desired.

Very fine grain white oak used in the Chapel candlesticks is from a shipment of unclaimed lumber unloaded beside the railroad at Girard, probably about 1855. The wood was used as a barn floor for more than 75 years before being purchased by Albert Mouthuy in 1939.

The small garden on the lake side of the Chapel, traditionally known as a garth, sets the atmosphere for meditation. Francisis of Assisi, patron saint of natural wild life stands here. The antique stone from which the statue is carved comes from Connecticut.

from a brochure printed for the dedication of the Chapel

 

Timmons Chapel in snow

 

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Miniature Chapel

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